by Kidman J. Williams Blondie hit the music scene with striking good looks while running parallel lines with the late 70’s punk scene, disco, their Warhol artistic sensibility, and the post punk/new wave genre that was to come. Debbie Harry was being primed to become the look and sound of […]
by Kidman J. Williams May marked the 50-year anniversary of The Doors’ final album, L.A. Woman. July marks the 50-year anniversary of singer Jim Morrison’s death in France. And HERE we all are! We’re still talking about them, still writing about them, and there always seems to be a new […]
His towering rage on being informed that the other Doors had sold their number one hit, “Light My Fire,” for a Buick television commercial, is a landmark of the entire era.
“Jim Morrison, Mary and Me” explains a lot about the last few months before Morrison became the Doors’ frontman, and within two years a rock legend with big shelf-life. Now after nearly a half-century of being dead, the dude endures.
What an illustration of the Law of Unintended Consequences. Toss the dude out of your house and two years later he goes iconic, and four years after he becomes a superstar he dies and becomes legendary.
by Kyle K. Mann Part One As a member of a dwindling tribe of rock fans who beheld the Doors in concert, I get this a lot. “You actually SAW the Doors?” “Yep, in March ‘67, before they were famous,” I usually reply. I have had this conversation dozens of […]
The news: The Doors are suing Kylie and Kendall Jenner for appropriating the famous Doors logo and their iconic lead singer’s image for the Jenner tee-shirt line… the horror! It is just the latest attempt to cash in on a guy who vowed not to sell out. That guy […]
by Kyle K. Mann (Note: A Nov. 15, 2017 update is included at the bottom. This article first appeared in GonzoToday.com on Dec. 30, 2016.) January 4, 1967: Imagine it. It’s a new year, and there is some amazing music floating around, like nothing we had ever heard before. A […]
art by Joey Feldman by Kyle K. Mann ”The Avalon was one stoned gig… the crowd was more out of it than usual, more receptive to our surreal imagery. The psychedelized crowd wanted head music — they wanted to be transported. Their vibes encouraged experimentation. Jim was really coming into […]
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