GonzoToday
  • Pages
    • Front Page
    • Featured content
    • Music
    • Music videos
    • The GonzoToday Interview
    • News
    • Commentary
    • Books
    • Short Stories
    • Poetry
    • ART
  • About
    • Our staff
    • About GonzoToday.com
    • Mission Statement
  • Submissions
  • Log In
  • Links

An Interview with Heathcote Williams

July 7, 2017 Saira Viola Featured content, Interview, Poetry 0

Tweet

Editors note: Heathcote Williams shuffled off this mortal coil on July 1, 2017. We were honored he granted us this 2015 interview and allowed us to publish some of his work. 

interview by Saira Viola

For Saira Viola and Heathcote Williams: If Art, if poetry is not revolutionary then it is not Art, then it is not poetry! The mythopoet returns to the role of seer by creating myths that resonate, that explode in the minds, the beings of readers, myths that speak with the authority of the ancient myths, myths that are gifts from the holy unholy lightning and thunder stormed realms of the creative imagination. – Ron Whitehead

heatcotrpic (1)We are proud to feature a world exclusive with literary wizard Heathcote Williams. Heathcote is a best–selling poet, critically acclaimed playwright, award winning author, accomplished actor and celebrated activist who pioneered the investigational prose poem and uses this medium to tackle a variety of political and environmental issues.

As a leading figure in the London squatting scene in the 1970s, Williams successfully ran a squatters ‘estate agency’ called: ‘Ruff Tuff Cream Puff’. In 1977, together with a group of fellow squatters, he established the ‘state’ of Frestonia in Notting Hill and declared independence from Britain. Frestonia lasted almost a decade and had its own institutions and postage stamps.

Before Banksy, Heathcote was spraying the walls of Buckingham Palace and Notting Hill’s low rent district with ‘protest’ graffiti and social messages.

In short he is a true literary original and boldly embodies the Gonzo spirit:

Saira Viola asks Heathcote Williams about the significance of poetry in modern society, his influences, and much more: 

SV: Do you think poetry can challenge the social structure of society?

HW: Octavia Paz said, “If society abolishes poetry it commits spiritual suicide” and, according to Denis Diderot, the encyclopaedist and one of the principal mentors of the French Revolution, “Poetry must have something in it that is barbaric, vast and wild.”  Why? Because it’s a space where you get to ask and to answer the fundamental questions, and this includes querying the social structure in all its aspects. If poetry isn’t revolutionary, it’s nothing. Poetry is heightened language, and language exists to effect change, not to be a tranquilizer.

SV: Royal Babylon: The Criminal Record of the British Monarchy, is one of the most profound yet polarizing poems of our time, how can a new generation of writers be encouraged to tackle the meaty issues that beset society like corporate greed, racism, poverty and government policy?

Queen in Polyfoto Booth-1967

HW: You’ve answered your own question with that list: these are targets for the sharpest arrows that writers can fish out of their quivers. Sadly their opposition can be bought off and their mouths filled with gold. The ‘gold’ can take many forms: 400 UK poets, for example, recently queued up for the honour of being presented to the Queen at a shameful ceremony in Buckingham Palace – that hoary encrustation built and maintained with slave-trade money. They bowed and scraped to the Chief Panjandrum of the UK’s One PerCent whereas poets, of all people, should find the One PerCent anathema. If they don’t, then the salt risks losing its savour.  

SV: Who is the single greatest influence in your writing? 

HW: Gerard Winstanley; Shelley; Blake; Billy MacGuinness, Hyde Park orator; Burroughs; Pinter (met them first in 1964); Errico Malatesta; Emma Goldman; Bakunin; Kropotkin; Philip O’Connor, who recited his surreal poems in the street wearing purple trousers; Paul Potts the People’s Poet, homeless pamphleteer; Rev. Leon Atkin of The Crypt, a refuge for the homeless in Swansea; the fearless Quentin Crisp; Orwell; Diogenes… but there’s really no single person, just life’s rich, hypnotic and ever-changing tapestry.

SV: Some writers today are fearful of expressing their true feelings, as the innovator and creator of ‘investigative’ style prose poetry, what are your views on censorship in general? 

HW: Not something I’m aware of ever having practiced. 

SV: Given the current socio-political climate around the world and Britain particularly, is it now time for Frestonia to re-declare independence? 

HW: Definitely. While the one percent indulge themselves in ‘property porn’ (i.e. gloating, while houses which they didn’t build in their gated ‘communities’ shoot up in value; and while speculators willfully keep properties vacant, and while estate agents install sharp spikes outside their buildings to discourage ‘rough sleepers’ (i.e. the homeless), then squatting needs to resurface, with added chutzpah, as a corrective.

QUEEN- Birth of (1)

art by Joey Feldman & Ralph STEADman
used by permission

ADDENDUM: WORKS BY WILLIAMS

David Cameron says he is “standing firm and will not be cowed” by ISIS barbarity. Poet Heathcote Williams responds. 

ROYAL BABYLON
16 short films based on Williams’ poem
“Royal Babylon: The Criminal Record of the British Monarchy”:

 

HOW AMERICA WORKS by Heathcote Williams
“The most dangerous country in world history is the United States of America”

 

Related

  • footerfeature
Previous

Bye Bye Batman: Adam West Dead at 88

Next

Doors Defender: John Densmore

SEARCH OUR ARCHIVES

Music video vibe

https://www.youtube.com/watch?v=q0Tf3_EjE3c

Sydney Sherwood “CREEP”

Recent Featured Content

  • An Intimate Interview with Brett Wilson of Roots of Creation

    March 31, 2021 0
  • Wagging the Penis

    March 31, 2021 0
  • Album Review: Neal Francis ‘Changes’ Don’t Call This a Throwback

    March 31, 2021 0
  • Greetings from Scranton

    March 31, 2021 0
  • Adderall, Me, and a Conversation With LSD

    March 31, 2021 0
  • Album Review: Owls and Lions ‘There’s a Light’

    March 31, 2021 0
  • United States of Frank Zappa with Moon Unit Zappa

    March 2, 2021 0
  • To Save America, We Must Kill God

    March 2, 2021 0
  • Married to Addiction

    February 25, 2021 0
  • Album Review: Sydney Sherwood ‘Headspace EP’

    February 25, 2021 0
  • The Beach Boys Sell Out

    February 21, 2021 0
  • Rush Limbaugh: Not a Nice Epitaph

    February 18, 2021 0
  • A Musician Speaks Out: COVID-apathy and the tyranny of greed

    December 31, 2020 0
  • A State of Permanent Shock

    November 27, 2020 0
  • Back to Live-blogging the 2020 U.S. Election: the aftermath drags on

    November 5, 2020 0

Hunter S. Thompson 1937-2005

Art
  • ART | How to paint like Ralph STEADman

    September 19, 2017 0
  • The Great Red Shark by Joey Feldman

    July 7, 2017 0
  • “People’s Fears” by Joey Feldman

    November 15, 2016 0
Meta
  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
Shorts
  • My Encounter with Hunter

    December 21, 2017 0
  • Drug Run | Chapters 1-10

    November 15, 2017 0
  • God’s Grace: An Abortion Story

    September 2, 2015 0
Subscribe to GonzoToday via Email

Enter your email address to receive notifications of new GonzoToday.com posts by email. Your email will not be sold and will ONLY be used to notify you of new GonzoToday.com posts.

Music
  • Celebrating a Half Century of the Music of Frank Zappa

    June 5, 2017 0
  • Album Review: The Damn Truth’s Devilish Folk

    April 10, 2017 0
  • The Doors First Album and Mary Werbelow: 50 Years on

    December 30, 2016 0
The GonzoToday Interview
  • An Interview with Heathcote Williams

    July 7, 2017 0
  • A Quick Talk with Benicio Del Toro

    April 22, 2016 0
  • CIA Whistleblower John C. Kiriakou: the Gonzo Today Interview

    April 2, 2015 0

RSS Feed RSS - Posts

RSS Feed RSS - Comments

Copyright © 2021 | WordPress Theme by MH Themes